In those instances, you’ll want to leave the kick muted so you don’t hear it playing in the track. Some people will have a “trigger kick” instead of their actual kick. You’ll have to mute and unmute Peak Controller to hear your kick still playing. Add Peak Controller to your kick instead of the bass. You’ll visually see how much of the bass is ducking, but always use your ears to make your decision.įruity Peak Controller will do this without compression. Instead, you’ll want to simply tame the level of the bass so that it sounds “glued” to the kick after it plays. You’ll probably notice that completely ducking the bass isn’t the best option.
Adjust the threshold, knee and ratio according to how much you want the bass to lower in volume. Use short release times to allow the bass to come back in soon after the kick hits. Set the attack to the beginning to immediately duck the bass. However, when you open up Fruity Limiter on your bass track, you’ll now have the option to select your kick track from the sidechain option at the bottom of the limiter. Select your kick track, right click on the bottom arrow of the bass track and select “sidechain to this track.” Now the kick is routed to your bass track without any volume being sent to it.
So in the example, we went over, you will add this to your bass track. Starting with Fruity Limiter, add it to the track you want to duck out of the way. But the 3 best ways are through Fruity Limiter, Fruity Peak Controller and good ole’ automation. In FL Studio, there are many ways to achieve this. Because low-end frequencies carry the most energy, these sounds will clash with each other, creating unpleasant phasing and making the low end less powerful than before. This is useful for taming two sounds that simultaneously play together and share the same frequency range. Typically, this was used to lower the volume of the bass whenever the kick drum hit.
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